Ennui Au Jus

10/2012 — 46.5″ x 27.5″

Acrylic on used fence pickets.

SOLD

This was the first graphic poster type design on used fence pickets. How many fence pickets have I gone through since then?! I still have some scraps from the first batch. It is still some of the best wood I’ve been able to acquire to this day. Still in great shape.

This was also one of the first pieces where I combined existential states of mind with food. This is something else I should revisit. I never did do this enough with texan food. I can fix that mistake with Chicago pizza and hotdogs, and Champaign sweetcorn.

I used a method to make things seem a bit aged. With some history. I wasn’t caught up in precise realism. It was more fun…at some point I got caught up in trying to make everything super tight. Blah. I need to go back to the old way. EXPRESSIONISM!

Posted by WOODCOCK

After a long exile in South Texas climbing out of a nihilistic funk, Otis Woodcock has found his way back to the open skies and quiet horizons of the American prairie. Having earned an MFA from Miami University, Ohio, he left his ancestral home in southern Indiana, spending the last three decades between Louisville, Kentucky, and San Antonio, Texas, developing his Iconoclasmatic Pop Art™ practice. On this journey, an anxious recovering Catholic and cancer survivor gradually evolved into the optimistic existentialist whose work is less interested in providing answers than in questioning certainty. Today, Woodcock lives and works where the seasonal rhythms and expansive landscapes of the Midwest serve as the backdrop for an ongoing exploration of belief systems, cultural inheritance, and the subtle poetry of ordinary things.

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