So I’ve decided to bring along some old and new food and booze pieces to Pancakes and Booze shows this fall in Austin, San Antonio and Houston. This one needs to be redone though.

Delayed Gratification taco time finished painting.

Delayed Gratification: Taco Time piece was done before I put much thought into layering levels. Also, while people were enjoying the familiar old praying men, they weren’t digging the clock so much. So I cut off the clock and made the men and their meal separated and ready for more to be added.

So then I asked myself, “Self, what could I add that will help make the piece more relatable”

I wanted something to better connect with viewers and make it generally a better piece. I contemplated on just what it could be the men are praying for. Ideas of abuelas and pin up waitresses were considered. But then keeping with the prayer theme, why not add a Mary in their shared “thought could” offering to theme he only thing that’s missing on their tacos? The best of all condiments and something that is becoming more and more expensive. Avocado! Something worthy of prayer. And who better to ask than Mary?

– – – – – – – – – – – – – – – – – – End 🤗

Posted by WOODCOCK

After a long exile in South Texas climbing out of a nihilistic funk, Otis Woodcock has found his way back to the open skies and quiet horizons of the American prairie. Having earned an MFA from Miami University, Ohio, he left his ancestral home in southern Indiana, spending the last three decades between Louisville, Kentucky, and San Antonio, Texas, developing his Iconoclasmatic Pop Art™ practice. On this journey, an anxious recovering Catholic and cancer survivor gradually evolved into the optimistic existentialist whose work is less interested in providing answers than in questioning certainty. Today, Woodcock lives and works where the seasonal rhythms and expansive landscapes of the Midwest serve as the backdrop for an ongoing exploration of belief systems, cultural inheritance, and the subtle poetry of ordinary things.

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