2011     •     48″ x 18″
acrylic, spray paint, fabric on panel

How is it that patriotic American zealots who get upset at burning flags WEAR so many flags themselves?

The United States Flag Code establishes advisory rules for display and care of the flag of the United States. It is Chapter 1 of Title 4 of the United States Code (4 U.S.C. § 1 et seq). This is a U.S. federal law, but there is no penalty for failure to comply with it. In fact, the U.S. Supreme Court has ruled that punitive enforcement would conflict with the First Amendment right to freedom of speech. – Wikipedia

United States Code:

TITLE 4 — FLAG AND SEAL, SEAT OF GOVERNMENT, AND THE STATES
CHAPTER 1 — THE FLAG

section 8 respect for the flag, paragraph (d) The flag should never be used as wearing apparel, bedding, or drapery. It should never be festooned, drawn back, nor up, in folds, but always allowed to fall free.

(f) The flag should never be used as a covering for a ceiling.

(i) The flag should never be used for advertising purposes in any manner whatsoever. It should not be embroidered on such articles as cushions or handkerchiefs and the like, printed or otherwise impressed on paper napkins or boxes or anything that is designed for temporary use and discard. Advertising signs should not be fastened to a staff or halyard from which the flag is flown.

So let it be noted…Literally wrapping yourself in flag isn’t necessarily a good thing. It is actually disrespectful…and if you do it, your dick might be showing.

Keep digging, WOODCOCK 🪏

Posted by WOODCOCK

After a long exile in South Texas climbing out of a nihilistic funk, Otis Woodcock has found his way back to the open skies and quiet horizons of the American prairie. Having earned an MFA from Miami University, Ohio, he left his ancestral home in southern Indiana, spending the last three decades between Louisville, Kentucky, and San Antonio, Texas, developing his Iconoclasmatic Pop Art™ practice. On this journey, an anxious recovering Catholic and cancer survivor gradually evolved into the optimistic existentialist whose work is less interested in providing answers than in questioning certainty. Today, Woodcock lives and works where the seasonal rhythms and expansive landscapes of the Midwest serve as the backdrop for an ongoing exploration of belief systems, cultural inheritance, and the subtle poetry of ordinary things.

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