2012 • 52.5″ x 35″ acrylic, spray paint on used fence pickets
We’ve all heard about combining food with other pleasurable sensory experiences like cheese and art shows, prime rib and strippers, sex and pastrami, so why not combine delicious food with a debilitating existential crisis?
Self doubt and sauerkraut obviously came together because of the rhyme, but the feelings of doubt that could be induced by the sight and odor of the strange and exotic are what is highlighted in this piece. The cautious angel is repulsed, the devil is ready to try anything, and the cat in the lederhosen is caught between belief and disbelief. Uncertainty, distrust, lack of sureness petrify him.
After a long exile in South Texas climbing out of a nihilistic funk, Otis Woodcock has found his way back to the open skies and quiet horizons of the American prairie. Having earned an MFA from Miami University, Ohio, he left his ancestral home in southern Indiana, spending the last three decades between Louisville, Kentucky, and San Antonio, Texas, developing his Iconoclasmatic Pop Art™ practice. On this journey, an anxious recovering Catholic and cancer survivor gradually evolved into the optimistic existentialist whose work is less interested in providing answers than in questioning certainty.
Today, Woodcock lives and works where the seasonal rhythms and expansive landscapes of the Midwest serve as the backdrop for an ongoing exploration of belief systems, cultural inheritance, and the subtle poetry of ordinary things.
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